
Celebrating Indie Bookstore Day: purchased Blue Ruin for this year‘s Tournament of Favorites and they gave me the Supersonic. Posing in front of a pretty mural across the street from my next stop (which isn‘t open yet! 🤨) #ibd #indiebookstoreday
Celebrating Indie Bookstore Day: purchased Blue Ruin for this year‘s Tournament of Favorites and they gave me the Supersonic. Posing in front of a pretty mural across the street from my next stop (which isn‘t open yet! 🤨) #ibd #indiebookstoreday
I never fully connected with this story, and I think that‘s largely due to the writing style. The storytelling felt disjointed and lacked a natural flow. The premise was intriguing, but if it hadn‘t been the library‘s book club pick, I probably wouldn‘t have finished it. Book #35 in 2025
Sunday morning reading, and I'm thoroughly enjoying this book!
This a good book and covers a large range of themes. I think I‘m just not a fan of her writing style
This book was especially hard to read due to the fact that it was written during a timeframe I and everyone else in the world would like to forget. I get it that the author needed to capitalize or get over her writing slump, but I could not fly by as quickly as I've done through her other novels because there is still a lot of pain and misinformation about COVID.
Part of why everyone here annoys me, I think, is no one appears to have real responsibilities, even as COVID hits. Rob and Alice have a daughter they ignore, Jay‘s life has mostly been wading through an art scene while being high, and the art anyone does finally do feels pretentious and light. They have disappeared into their art, a major theme. People return when they connect with others, and mostly everyone here is too selfish to do that.
I really loved this. It was an interesting look at memory and what we can see more clearly with the benefit of hindsight. It was also about personal responsibilities and perceptions of them. I loved the octopus content because they are facinating. There are a lot of flashbacks as the story is told. The ending answered some of the questions about what happened next but not all of them. Interestingly the author started this before the 2020 pandemic.
Claire Fuller is a hit-and-miss author for me.
It's not the book's fault I wasn't really in the mood for a pandemic story. However, it felt like three books cobbled together: a memoir of Neffy's earlier life, mostly in Greece; Station Eleven; and one of the recent crop of octopus books.
It had interesting things to say about grief, guilt and a desire to escape to the past rather than face present horrors. I'm not sure it succeeded in saying them.
I immediately grabbed this book off the library shelf because the name and the cover got my attention. It did not disappoint. This was a fast paced, raw, and direct. When a new pandemic with a high fatality rate that only affects men breaks out, it‘s up to women to keep the world running, and some of the glass ceiling finally breaks. One thing I liked about this book is it explores all the different intersections in an event like this. Think⬇️
4⭐️ Really enjoyed this #bookclub pick. Got into it much easier than the previous ones that I have read of hers. #2025 #indigineous #contemporary #fiction #covid19fiction