I love the author‘s focus on her minor characters most, which gives this Korean family‘s saga (from the early 1900s Japanese colonial period of a once undivided Korea to modern day Osaka/Tokyo/Yokohama) a broad, sweeping quality, but the side-stories dead-end, which is frustrating. I appreciate this peek into the Korean-Japanese experience and how the tides of one woman‘s shame, her survival, discrimination, and globalization mold a family.