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Still Life with Feeding Snake
Still Life with Feeding Snake | John Burnside
5 posts | 1 read
From our earliest childhood experiences, we learn to see the world as contested space: a battleground between received ideas, entrenched conventions and myriad Authorised Versions on the one hand, and new discoveries, terrible dangers, and everyday miracles on the other. As we grow, that world expands further, to include new species, lost continents, the realm of the dead and the lives of others: cosmonauts swim in distant space, unseen creatures pass through a garden at dusk; we are surrounded by delectable mysteries. The question of this contested, liminal world sits at the centre of Still Life with Feeding Snake, whose poems live at the edge of loss, or on the cusp of epiphany, always seeking that brief instant of grace when we see what is before us, and not just what we expected to find. In Approaching Sixty, the poet watches as a woman unclasps her hair: so the nape of her neck/is visible, slender and pale/for moments, before the spill/of light and russet/falls down to her waist. This, like each poem in the book, becomes an essay in still life and a memento mori, illuminating transient experience with a profound clarity and a charged, sensual beauty.
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review
Bookwomble
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Mehso-so

Not an unenjoyable collection of poems, and several have striking visual and emotional images, but there felt too much for me that was impenetrable and oblique to really get into. I did particularly like 'George and the Dragon', though.

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Bookwomble
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What lost realm of desires
foregone, a body slipping from his grasp,
the way a guddled trout might shiver free
just at the very last: that lovely
emptiness it leaves
between the hands
a puzzle of warmth
and marrow swimming away
to everywhere,
a stream inside the stream
of light and water, single, almost free.

- "Handfasting"

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Bookwomble
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"Too much is being
sacrificed, the dragon with its throat
transpierced, a sign
left over from the damp, pre-Christian world,
led from the cave on its chain (the woman holds it
lightly in her hand) to be destroyed
for no good reason, given that it's tame
and captive now.
Perhaps it's just too green
or too expressive, set against this knight
whose mind is elsewhere, blank as ordinance
and formal, like the host, or like
??

Bookwomble this seeming bride-to-be, whose only love
is senseless *agape*."
5y
Bookwomble Burnside sometimes references the inspirations for his poems, which he hasn't in this one, but titled "George and the Dragon", it's clearly an interpretation of Paolo Ucello's painting. 5y
13 likes2 comments
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Bookwomble
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"The boy is balanced on his skates, a kind
of beauty in the act of concentration.
We all have days like this, the quiet mind
dispensing with care to the greater or lesser extent
that circumstance allows."

- "Henderick Avercamp: A Standing Man Watching a Skating Boy"

quote
Bookwomble
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“I want to venture a hypothesis that, roughly expressed, goes like this: you cannot learn to love yourself until you find something in the world to love; no matter what it is. A dog, a garden, a tree, a flight of birds, a friend...Because what we love in ourselves is ourselves loving.”

(Not from tagged book. Doesn't it annoy you when Goodreads 'librarians' don't tag the book they're quoting from?)