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The Making of Mary Shelley's Frankenstein
The Making of Mary Shelley's Frankenstein | Daisy Hay
2 posts | 1 read | 3 to read
'Invention ... does not consist in creating out of void, but out of chaos'- Mary ShelleyIn the 200 years since its first publication, the story of Frankenstein's creation during stormy days and nights at Byron's Villa Diodati on Lake Geneva has become literary legend. In this book, Daisy Hay returns to the objects and manuscripts of the novel's genesis in order to assemble its story anew.Frankenstein was inspired by the extraordinary people surrounding the eighteen-year-old author and by the places and historical dramas that formed the backdrop of her youth. Featuring manuscripts, portraits, illustrations and artefacts, The Making of Mary Shelley's Frankenstein explores the novel's time and place, its people, the relics of its long afterlife and the notebooks in which it was created. Hay strips Frankenstein back to its constituent parts revealing an uneven novel written by a young woman deeply engaged in the process of working out what she thought about the pressing issues of her time: science, politics, religion, slavery, maternity, the imagination, creativity and community. This is a compelling and innovative biography of the novel for all those fascinated by its essential, brilliant chaos.
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A quick read: an essay in five parts bulked out with full page illustrations, but none the worse for that. Little, I think, that I haven't read before, other than the chapter on Shelley's manuscripts of Frankenstein, which was interesting if (as I've indicted) brief.

I'm struck, as I have been when previously reading of Shelley's life, by the multiple tragedies she endured, from the coldness of, and what must have felt like the rejection by, ...

Bookwomble her father, through multiple bereavement due to disease, suicide and accident, then her own relatively early death from a brain tumour. If her life was a Romantic one (with a capital 'r'), it was also frequently a melancholy and tragic one. 6y
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I almost got out of Broadhursts without buying a book, then started flipping through this and thought I could probably do without it, or at least get it another time, then saw that there's a chapter devoted to a discussion of the type of paper Shelley used when writing her manuscripts, and decided it needed to come home with me today.
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Leftcoastzen Tied up in paper with string , lovely. 6y
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