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Underground
Underground | Hamid Ismailov
2 posts | 2 read | 2 to read
Named one of the best Russian novels of the 21st Century, The Underground is the unforgettable story of an abandoned mixed-race boy navigating the wondrous and terrifying city of Moscow before the Soviet Union s collapse. I am Moscow s underground son, the result of one too many nights on the town. So begins the story of Mbobo, the precocious 12-year-old narrator of this captivating novel by exiled Uzbek author and BBC journalist Hamid Ismailov. Born to a Siberian woman and an African athlete who came to compete in the 1980 Moscow Olympics, Mbobo must navigate the complexities of being a fatherless, mixed-raced boy in the shaky terrain of the Soviet Union before its collapse. With echoes of Ralph Ellison s Invisible Man and Fyodor Dostoevsky s Notes from Underground, Ismailov s novel tackles head-on the problems of race and the relationship between the individual and society in a thoroughly modern context. While paying homage to great Russian authors of the past Dostoevsky, Turgenev, Gorky, Nabokov, and Pushkin Ismailov emerges as a master of a new kind of Russian writing that revels in the sordid reality and diversity of the country today. Named one of the best Russian novels of the 21st Century" (Continent Magazine), The Underground is a dizzying and moving tour of the Soviet capital, on the surface and beneath, before its colossal fall."
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bentchbites
Underground | Hamid Ismailov
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This was taken from a small bookshop located in an underground tunnel around Manila City Hall. It doesn't look like much but the store owner is a wonderful booknerd and he just couldn't stop talking about books! 🤓I'm def going back there again (when my book spending power is replenished! LOL) #secondhandbookshop #booksfromunderground

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Moray_Reads
Underground | Hamid Ismailov
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I had today off work (take that, #Monday!) so I settled in with Mr Happy to read two books that have been waiting awhile. Interesting reads written by men who are both masters of using humour to convey pain. Ismailov uses the spare but affecting style that I loved in The Dead Lake and Selvon's immigrant voices in difficult London are utterly convincing.