God and the Devil: The Life and Work of Ingmar Bergman | 
p. 80: 'Liv Ullmann has written, "When the camera is as close as Ingmar's sometimes gets, it doesn't only show a face but also what kind of life this face has seen."'
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p. 80: 'Liv Ullmann has written, "When the camera is as close as Ingmar's sometimes gets, it doesn't only show a face but also what kind of life this face has seen."'
p. 74: 'No director has torn at his open wounds so insistently as Bergman.'
p. 25: '(Bergman) was by nature a maverick when young, and inevitably that collided with the dogma that informed every aspect of life at home.'
