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Lesser Ruins
Lesser Ruins | Mark Haber
3 posts | 2 read | 2 to read
From the author of Reinhardt's Garden and Saint Sebastian's Abyss comes a breathless new novel of delirious obsession. Bereft after the death of his ailing wife, a retired professor has resumed his life's worka book that will stand as a towering cathedral to Michel de Montaigne, reframing the inventor of the essay for the modern age. The challenge is the litany of intrusions that bar his wayfrom memories of his past to the nattering of smartphones to his son's relentless desire to make an electronic dance album. As he sifts through the contents of his desk, his thoughts pulsing and receding in a haze of caffeine, ghosts and grievances spill out across the page. From the community college where he toiled in vain to an artists' colony in the Berkshires, from the endless pleasures of coffee to the finer points of Holocaust art, the professor's memories churn with sculptors, poets, painters, and inventors, all obsessed with escaping both mediocrity and themselves. Laced with humor as acrid as it is absurd, Lesser Ruins is a spiraling meditation on ambition, grief, and humanity's ecstatic, agonizing search for meaning through art.
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Pinta
Lesser Ruins | Mark Haber
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^^93 most alive when trembling with dread

19 “circumventing my dead wife‘s closet”

89 “coffee, strong coffee, I‘d begun to believe, was a conduit to the divine”

90 “if one does this, meaning studies or contemplates Madness and Civilization while also listening to Stravinsky‘s The Rite of Spring, it‘s the equivalent of losing a limb or getting executed, but in a good way”

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Pinta
Lesser Ruins | Mark Haber
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^^this final “I don‘t know who I am” after pages and pages of blabbedy blah blah is heartbreaking. The caregiver, the failed scholar, the widower, searching to redefine identity. Also love the contrast between the father‘s and son‘s obsessions: Great Books versus EDM.

Much like “Saint Sebastian‘s Abyss,” realizing in the end that it‘s the relationships that make life full. PAY ATTENTION

92 “one can never have enough coffee in their coffee”

review
Pinta
Lesser Ruins | Mark Haber
post image
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Starts with “Anyway,” already in motion & can‘t stop, won‘t stop, holding back grief. Mania besieged by self-sabotage & distraction, obsessed with Montaigne, with coffee, with finding a “mental Sahara” for focus. Titles without texts. Repeating riffs like house music, longing for Stravinsky. Exhausting, propulsive voice, echoing Sebald or Saunders. Pathetic, hilarious character but when realization finally hits, everything breaks right open. 2024